Thesis blockquote css

In conforming documents, there is only one body element. Some DOM operations for example, parts of the drag and drop model are defined in terms of " the body element ". This refers to a particular element in the DOM, as per the definition of the term, and not any arbitrary body element.

Thesis blockquote css

Every Thesis blockquote css one of your readers is subconsciously aware of this symphony, and more important, they are all pre-programmed to respond to it in a particular way.

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The question is this: The Mathematical Symphony of Typography As it turns out, this symphony is not unique to websites. At first glance, you might think that typography and math have nothing to do with one another.

After all, typography consists of letters and words, and math is…well…numbers. But the truth is, typography is a combination of artistic letterforms and mathematical proportions, an exquisite marriage of form and function. When the mathematical proportions of your typography are harmonious, your site—and your content, specifically—look appealing to readers.

The bottom line is this: The mathematical proportions of your typography are vitally important to how readers perceive both your site and your content. So how can you tweak the proportions of your typography to create a beautiful mathematical symphony?

The first two, font size and line height, are vertical in nature. How font size and line height work in web browsers.

Thesis blockquote css

Font size is measured from the top of a capital letter S to the bottom of descending characters y. Half the line height extends both up and down from the centerline of the text. The third dimension, line width, is horizontal.

Line height and line width form the vertical and horizontal dimensions of typography.

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Taken together, these 3 dimensions are responsible for how you perceive typography. In Figure 3 below, the line height and line width are fixed, and the font size is varied from 13 to 16px. In the first paragraph of Figure 3, the line height is large enough relative to the font size to produce generous whitespace between the lines of text.

However, in the second paragraph, the line height is not large enough relative to the font size to yield sufficient whitespace, and it looks cramped as a result.

This leads to an important conclusion: As font sizes increase, line heights must also increase in order to maintain the geometric proportions of a paragraph. Font size and line height are proportionally related. In the next example, the font size and line height are fixed, and the line width is varied from to px.

As the line width is increased, the text becomes harder to read because the line height has not been increased to offset the effect of the width.

Despite the fact that the line heights are the same in the two paragraphs of Figure 4, their readability is quite different because of the differing line widths. As the line width gets longer, it becomes more difficult to perform a return sweep the movement of the eyes from the end of one line to the beginning of the next unless the line height is also increased to account for this effect.

Research confirms this conclusion, too. In a study from the University of Reading how ironicMary C.Figure 2.

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Line height and line width form the vertical and horizontal dimensions of typography. On Hiding URLs in the Browser May 2, ; 11 Comments This image is stolen directly from Allen Pike’s post because I don’t have time yet to make a proper one. It shows the same page URL as seen in the address bars of Firefox 29 and Chrome Canary Two days ago news broke that Chrome was going to modify the address bar in the .

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